Its funny you mention that - I feel the opposite to the extent where I fear and respect the form so much - I worry about the rest of my life going wrong if I attempt it!!
That wasn't actually what I meant - I was more alluding to the distribution of composition more than the creation of it.
However although I entirely agree with what Jeff says, the UK music industry is turning it's back on live orchestral recordin...
Well the obvious one to me - and not one I think covered in this thread - is the way the internet helped re-democracise the music creation process in a way that physical media led to a commercialisation of music in the early 20th century.
Well my take on it in the UK is that I have been rejected (admittedly on a more prosaic basis) by a number of various universities on the basis that my composition isn't taking music forward - although, naturally I would beg to differ. My perspect...
Hi Alphonse, thanks for taking the time to listen - it sounds like you have got to know the piece before posting which I really appreciate. I think something I have possibly fallen into the habit of is writing pieces that can be used by my library...
hi jack,
nothing to tear apart. i enjoyed your 3rd mvt best and liked the textures that you used. since you asked however,
i would say that i think you could develop the material more throughout--i think you're selling the piece
short by not expl...
One of the problems with modernism is that it only really ever appealed to musicians and academia. My time at university was infused with a general frowning upon Reich, Glass, Adams etc - not by me I might add - they had a hard time seeing past an...
Hi Jeff - well to say I am Danny K would be to forget a lot of people who collaborated on the TLDK project. I was certainly involved more than anyone else but many, many other people were involved in the creative process. All this material is avai...