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Shane W. Cadman
  • Male
  • Whittier, CA
  • United States
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Shane W. Cadman

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I knew what you meant and wasn't referring to it either - just live performances in general. My point is that the people I mentioned above wouldn't want to hear this regardless of where it was performed (not even if it was recorded). Maybe it jus...
yesterday
It could be augmenting in New Music circles, but what I meant was that this is not the kind of stuff that "regular folk" want to listen to, so it's not going to bring people back into the concert hall. Now, maybe that's not a concern, for either t...
yesterday
Interesting comments on improvisation. I agree with Adam's comment, particularly as one who has a general distaste for programmatic music. :-) Here's my thought regarding J.C.'s comment: based on the music I heard on the podcast (which is all I'...
yesterday
on Tuesday
Both wonderful. Thanks guys!
November 18
I was wondering the same thing.
November 16
This is a group for composers living and working in southern California so that we can connect and support each other's work.
November 14
Nice one Jeff!
November 5

Profile Information

short bio
composer/performer/educator/impressario/office manager - not necessarily in that order
website
http://www.shanecadman.com

Comment Wall (12 comments)

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At 11:12pm on October 28, 2009, Jon Beam said…
I making a song right now, but it will take some time for me to get into making some ambient or classical songs. I only have my computer to make stuff :(
At 1:50pm on July 22, 2009, Steve Moshier said…
Hey Shane:
Come meet Paul, George and myself for lunch today at 1:00 at Dattilo's in uptown Whittier!
-Steve
At 10:29pm on June 26, 2009, Steve Moshier said…
Hey Shane:
Good luck tomorrow night, hope the place is packed! I can't be there physically but mentally I'll be wishing you the best! After it's over, start a discussion/blog on NNM and describe the concert; or better yet, video it and put it on youtube and NNM.
-Steve
At 12:32am on March 28, 2009, Tom Flaherty said…
Thanks for your comment, Shane. I've enjoyed listening to your clips here and on your website too.
At 4:12am on March 8, 2009, Dave Gerhart said…
Shane - I just saw the message you posted on my wall. I tried checking out the website, but it would not load... If we can work something out, we would love to play. Let me know. You can email me directly at info@ironworkspercussion.com.

Thanks! Dave
At 4:17pm on February 5, 2009, Jukka-Pekka Kervinen said…
That would be great, hope you find time to put few on your nnm site.

It is usually completely musical, nothing to do with computers (or pens, papers etc). With 'other sentences' it was one isorhythmic melody (color/talea pair) moving fairly quick tempo in and out sync to get octave doublings, small melodic range but wider group range trying to mix instruments so that in out-sync phases they would be one larger sound without identifiable instruments (which of course don't work but that was the ideal). It is part of the series I've now worked lately, last four pieces in NNM are all from that series.
Implementation/writing/programming is then different thing, sometimes if affects more, sometimes less, few ideas are much more algorithmic, or is mixed like the first appearance of the melody/theme in 'other sentences' is "manually" composed, the computer makes 'endless' variations of it during the piece.


-Jukka
At 3:54pm on February 5, 2009, Jukka-Pekka Kervinen said…
Shane, I checked your site and listened pieces, very beautiful music, especially liked of 'The Shade Never Was' ! -Jukka
At 2:08am on February 5, 2009, Jukka-Pekka Kervinen said…
Of course links didn't work, a new try:

An explanation of the works here

and

scores here


-Jukka
At 2:03am on February 5, 2009, Jukka-Pekka Kervinen said…
Hello Shane, thanks very much, I'm glad you like them ! Yes, I try to answer (after only two cups of coffee at this morning :)): 'other sentences' and most of my current works are made with extensive use of computer, after the musical idea (it must come first !) I write a computer program where I convert the idea to the form of an algorithm using deterministic and probabilistic rules. A single run generates both audio (MIDI) output and a score, mostly I need quite many runs to find a right one, sometimes fewer. This also explains how I'm making these so fast (it is relative, I've made music with computers this way from 1979 so for me it has been very slow process). The choice of the instruments is part of the idea: to find a combination where the sound merges so that you don't hear separate instrument but the overall sound, anyway not all the time, sometimes individual lines, sometimes all, and in best cases different combinations in separate listenings.

Hope this helps, I've tried explain the process here too:



You can find scores to all pieces from here:



(they contain "errors" or bad writing, I just haven't found a way to program some things yet).

Thanks Shane !


-Jukka
At 11:37am on January 31, 2009, Paul Greenhaw said…
Hey Shane -- all is going well -- playing more drums than ever these days -- funny thing, my chops are better than when I was 20 -- I think it has to do with going back to the basic BASICS -- zen discipline shit

As far as composition..... I need to awaken that beast again soon -- have had this large 45 min. piece finished for quite sometime, just need to get it back up to speed with Sean (as in Ferguson) -- and finish the video

This is a nice site -- fun to explore
 
 

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