NetNewMusic

The Net New Music Community Since 1994

Steve Moshier
  • Male
  • Garden Grove, CA
  • United States
Share 

Steve Moshier's Friends

Steve Moshier's Groups

Steve Moshier's Discussions

So What One (maybe one) Composer Influenced You The Most?
140 Replies

Started this discussion. Last reply by vanessa rossetto Sep 6.

So I Like This Work: What Makes It Special?
95 Replies

Started this discussion. Last reply by John "Sparky" Prokop Dec. 28, 2008.

So Composers: Do You Favor A Style?{6}
73 Replies

Started this discussion. Last reply by adam kondor Jun 18.

So Where Does Improvisation Fit Within The Context Of Composition?
65 Replies

Started this discussion. Last reply by nirmala07 Oct 31.

So How Much Are We Indebted To The 20th Century?
64 Replies

Started this discussion. Last reply by Greg Hooper Oct 12.

So What One 'Point of View'/Sensibility Guides You In Composing?
58 Replies

Started this discussion. Last reply by Steve Moshier Jul 9.

So How Do We Begin Creating?: What "Gets Us Going?"
54 Replies

Started this discussion. Last reply by Johnny & Faith Jun 19.

So What Is The Relationship Between Composer And Audience In 2009?
51 Replies

Started this discussion. Last reply by Johnny & Faith Sep 22.

 

Steve Moshier - Composer

Latest Music

Loading…

Playlist Track 'Liner Notes' (in the order of their appearance)

1. Performed by the Liquid Skin Ensemble at the RealNewMusic Festival '07.
2. Performed by the Liquid Skin Ensemble at the RealNewMusic Festival '08. Adagietto affetuoso
3. Ditto 1st track.
4. Commissioned by Hae Kyung Lee & Dancers - Performed by Jannine Livingston & Ruth Cortez.
5. Commissioned by dancer/choreographer Miguel Olvera.
6. Commissioned by dancer/choreographer Claudia Lopez.
7. From performance artist Anna Homler's Breadwoman cassette - This collaboration was released by High Performance Audio in 1985.
8. The first four bagatelles are performed by Jannine Livingston.
9. Ditto 2nd track. Vivace con anima.
10. Ditto 7th track: The opening work.
11. Performed by the Liquid Skin Ensemble at the RealNewMusic Festival '08.
12. A Liquid Skin adaptation of a work written for the Cartesian Reunion Memorial Orchestra.
13. Commissioned by Hae Kyung Lee & Dancers.
14. A Liquid Skin adaptation of a work written for the Cartesian Reunion Memorial Orchestra.
15. From "Enough Rope: A 10-Part Song Cycle on the Poems of Dorothy Parker."
16. A Liquid Skin adaptation of a work written for the Cartesian Reunion Memorial Orchestra; RealNewMusic Festival '07.
17. Ditto 15th track.
18. Ditto 15th track: The 'Finale'.
19. Part of an evening with modern dance pioneer Rudy Perez and his "Surrender, Dorothy!" at Highways Performance Space, 12/08.
20. Ditto 19th track.
21. Ditto 19th Track.
22. Performed by the Liquid Skin Ensemble at ah gallery, Chinatown, LA, CA, 11/08.
Andante ma non troppo e grazioso
23. For the Highways performance with the Rudy Perez Performance Ensemble.
24. Ditto the 23rd track.
25. Performed by the Liquid Skin Ensemble at ah gallery in Nov. 2008. Allegro con moto
26. Ditto the 25th track. Presto non troppo e quasi scherzando
27. Ditto the 25th track.
28. Excerpt from Anna Homler's 'Deliquium In C' at Highways Performance Space, 1989.
29. Ditto the 7th track.
30. A Liquid Skin adaptation of the last work written for the Cartesian Reunion Memorial Orchestra.
31. The first work written for the Liquid Skin Ensemble.
32. Ditto the 15th track.
33. Ditto the 15th track.
34. Ditto the 15th track.
35. Commissioned by Winifred R. Harris and her Between Lines; Prime Moves, CSULA, 1993.
36. Performed by the Cartesian Reunion Memorial Orchestra; Double Rocking G Gallery, L.A., CA.
37. Premiere performance - 'Cartesians in Academia' concert, CSUF, CA, 1987.
38. Excerpt from "49 Blues Songs for a Jealous Vampire": Keith Antar Mason and Hittite Empire; Serious Fun Festival, Lincoln Center for the Performing Arts, NYC, NY, 1992.
39. Recorded by the Cartesian Reunion Memorial Orchestra in 1988.
40. Commissioned by Hae Kyung Lee and the Hae Kyung Lee and Dancers, 1999.
41. Performed by the Cartesian Reunion Memorial Orchestra.
42. Commissioned by Winifred R. Harris and her Between Lines; Fall Ahead Performance & Dance Festival, CSULA, 1997.
43. Commissioned by Tina Gerstler and the Pacific Dance Ensemble; Cal-State LA Dance Series, CSULA, 1993.
44. Commissioned by Hae Kyung Lee and the Hae Kyung and Dancers, 1994.
45. Ditto 15th track .
46. Ditto 15th track.
47. For pianist Jannine Livingston and her concert of waltzes at Rio Hondo College, CA, 2003.
48. Commissioned by dancer/choreographer Miguel Olvera, 2006.
49. Commissioned by Hae Kyung Lee and Dancers; performed by the Liquid Skin Ensemble, 1999.
50. Commissioned by dancer/choreographer Claudia Lopez, 2004: Emphatic Tonicization.
51. Ditto 15th track.
52. Brief Encounters: A 24-Part 'Electronic' Series Devoted To Short-Term Involvement [Presented in 'pairs' exclusive to NNM; dedicated to Jeff Harrington] (2009)
53. Ditto 52nd track.
54. Ditto 52nd track.
55. Ditto 52nd track.
56. Ditto 52nd track.
57. Ditto 52nd track.
58. Ditto 52nd track.
59. Ditto 52nd track.
60. Ditto 52nd track.
61. Ditto 52nd track.
62. Ditto 52nd track.
63. Ditto 52nd track.
64. Ditto 52nd track.
65. Ditto 52nd track.
66. Ditto 52nd track.
67. Ditto 52nd track.
68. Ditto 52nd track.
69. Ditto 52nd track.
70. Ditto 52nd track.
71. Ditto 52nd track.
72. Ditto 52nd track.
73. Ditto 52nd track.
74. Ditto 52nd track.
75. Ditto 52nd track.
76. An excerpt from the score to Thomas Babe's "Demon Wine" - LATC, LA, CA (1989).
77. Ditto 76th track.
78. Ditto 76th track.
79. Ditto 76th track.
80. Ditto 76th track.
81. Ditto 76th track.
82. The "Surrender, Dorothy!" Series at 'Luckman Fine Arts', 2009.
83. The precursor to The Liquid Skin Ensemble: Red Ice, 1981.
84. An excerpt from Donald Krieger's "Boy's Life", CastTheater, L.A., CA (1983).
85. Ditto 84th track.
86. Ditto 84th track.
87. The final mov't from "Surrender, Dorothy!", Luckman Fine Arts Complex, CSULA, LA, CA, 2009.
88. "Ups and Downs" from the performance art work Woodworks, LACE, L.A., CA (1988).
89. "Post-Modern Post" from the performance art work Woodworks , LACE, L.A., CA (1988).
90. Ditto 84th track.
91. From "Enough Rope: A 10-Part Song Cycle on the Poems of Dorothy Parker."
92. Performed by Cynthia Law on her Master's Recital at CSULB, CA, Oct. 6th, 2009.




Profile Information

short bio
My music encompasses theatre, dance, 'performance', and the concert stage. I work within electronic, acoustic, and acoustic/electric genres. From its inception in 1979 until its demise in 1992, I was co-founder, performer, and composer of over 30 compositions for the chamber music ensemble Cartesian Reunion Memorial Orchestra. Since 1998 I have been performing and composing for my acoustic/electric Liquid Skin Ensemble. My music is post-minimal, neo-tonal, and at times, "ambient."
website
http://www.liquidskinensemble.com

Comment Wall (9 comments)

You need to be a member of NetNewMusic to add comments!

Join this Ning Network

At 5:01pm on November 19, 2009, Paul Ramsay said…
thanks Steve - generous as ever - i have now uploaded your sounds to Consemble G
keep on adding the tracks!! best, Paul
At 7:40pm on November 15, 2009, papa Jeah-Ja said…
you sound is beautiful
At 6:50am on July 10, 2009, adam kondor said…
All Saints: sophisticated storytelling...
At 10:27am on June 18, 2009, adam kondor said…
always beautiful, sometimes ironic!

(btw:you're reaching 100 soon, Steve! what'll you do then?)
At 5:35pm on May 26, 2009, Jody Oberfrelder said…
I love the title. Hats off to those who keep going and re-freshing our art forms.
At 3:22am on April 13, 2009, James Ross said…
Brief Encounters is like having 12 little windows into your brain, Steve. Nos. 4, 5 and 11 are favorites. Great series!
At 6:09am on April 11, 2009, adam kondor said…
#9 is my favorite until now. #1 is close 2nd. #3: nice complex. #4: from this one I definitely want to hear more. #6 is just loud... #7: great contrast #8: funny.
Are there any associations behind them? Or just pure 'technique'?
At 7:00pm on January 24, 2009, Johnny & Faith said…
Enjoying "Case Of The Celluloid Kali" :-) Hey, WE wanna meet Tom Waits! lol
At 5:48pm on January 7, 2009, Shane W. Cadman said…
No problem because it's true. You and the rest of the CRMO have had as much (if not more) influence than Glass, Reich, Nyman, etc. We got to see it lived out around us. I wouldn't be doing what I do if you all didn't do what you do. Besides, because of you, I got to meet Tom Waits!

Latest Activity

So personal! (Nice)
2 hours ago
Paul, love those 'pads'!!!
3 hours ago
Joe, that was really beautiful; you nailed his presence. I hear 'history' in those fingers!
3 hours ago
I agree...
9 hours ago
Fuck-Shit-Yeah!
9 hours ago
It sure does. Wow.
14 hours ago
I was sceptical at first, that anyone could perform Monk on a soprano sax post-Steve Lacy and not be a Lacy-clone, but this guy works it beautifully:
15 hours ago
Flying Hubcap - Steve Moshier
17 hours ago
17 hours ago
aaaaaaaaaaaaH~the pressure!
18 hours ago
Dan: We love the capsule comments; always a pleasure!!! To all: Jeff F., Jukka, Joseph, Paul, Jeff H. and most especially Dan - Keep 'em coming, you're all doing some great (!) work and it's a total blast to hear the contributions - on a daily bas...
yesterday
Straitjacket - Steve Moshier
yesterday
Slip 'n Slide - Steve Moshier
on Sunday
Actually Paul, that's not a bad idea!
on Sunday
48 pieces and counting!
on Sunday
A group devoted to giving feedback to members' uploads: Copy them in this group and members of this group will give you constructive criticism! (Members: Please realize you're a "judge" by joining this group)
on Saturday
 
 

About

Badge

Loading…
 

© 2009   Created by Jeff Harrington on Ning.   Create a Ning Network!

Badges  |  Report an Issue  |  Privacy  |  Terms of Service

Sign in to chat!